Thursday, November 19, 2009

Getting There


So I am plugging away in the studio, trying to get some paintings done for the show in January. My goal was to have all the landscapes and barns finished by the end of November so that I could spend the month of December focusing on the six portraits that will also be included in the show.

This plan is working out ok, although I do wish I were a bit farther along with the landscapes. But I have had a ton of distractions and interruptions, so all things considered, I am actually doing ok.

I am feeling a bit strapped for subject matter though, I haven't had the chance to get out to do some driving and take some new reference photos. The other day I went through the box of photos (yes, photos that were on FILM and then DEVELOPED! It's like they are antiques now!) that contained images that I took during the first year or so that we lived here. I found some images that I can use, but what really struck me is that it seemed obvious that I had never seen a tree or a field before we moved here. Heh. It seems that I took hundreds of pictures of fields with trees in the back......

I am also a bit strapped for barns as well, but that is easily handled. I haven't painted our barn for awhile and Mother Nature was kind enough to give me a very atmospheric morning in which to get some good reference photos.

Gotta love her!

The other side of the barn:

Friday, November 13, 2009

More Adventures in Painting (The Walls)

So a few weeks ago our oldest son finally moved out and into a residential home on the campus of the school that he goes too. Due to a variety of reasons, it took years to get him into a placement (he is 20, mentally disabled and will always need to live in a supervised setting) and by the time he moved, everyone's nerves were frayed from the waiting.

But his small, dark cave of a room turned into a good project to distract us (well me, really, I did most of the work).


My daughters have always shared a room and were pretty happy for the opportunity to each have their own room. Actually, 'over the moon' comes to mind. Heh. It was decided that Ginger, the youngest, would get my son's old room and that Sophie would stay in the old one:

Which usually looked more like this:
Sigh. I know, I know.

For the longest time Ginger wanted her new room to be lime green and so I was envisioning that too. At the last minute, like the day before we bought the paint, she decided on an aqua color. Ok. As I was rolling the aqua over the dark blue walls, I thought it looked great, but after I did the whole room, I thought I was gonna die:
This picture does NOT express the full spectrum of that first color. It was like a hopped up, drug induced, blue light special version of Kmart blue/green. It was SO intense, the room seemed to vibrate. Even though the aqua was lighter than the previous wall color it was still too dark and way too vivid for the small room. I told Ginger that we would have to paint the room the lighter shade of the same color. She went all drama queen on me, but I put my foot down. That crazy color was spilling out of her room and making the whole hallway blue, I couldn't bear to look at it every time I walked up the stairs. So I did the second color and it was just right, even Ginger (eventually) agreed.


So we got her all moved in, a new rug from Pottery Barn, and a lot of shelving for her stuff (we put HER in the small room to help curb her hoarding tendencies;)) and viola! A bright, cute and shiny new bedroom in the house!

And naturally since she got a new room, the old room needed an update too. I loved the soft periwinkle/lavender color that the girls picked out when they were 4 and 6, but Sophie had visions of something different now.

I talked her out of red, then out of black (!) and we settled on orange. She picked out a color card and I ok'd it. After our experience with the first version of aqua, I was a bit concerned that the orange was going to be prison jumpsuit or traffic cone orange once it was on the walls, but it turns out that is was a food kind of orange. White trash food, to be specific. Heh. Depending on the light I was thinking Velveeta, Cheetos, Cheez Whiz, Orange Creamsicles, etc. for the several days that it took to paint this room. And omg, I thought the painting in there would never end; it's a large room, about 17x17 and had four windows plus the doors. Lots of edges! And it turns out that that periwinkle was more intense than I thought. I had to paint three coats of the orange before it finally stopped showing through. Which means three times around all the edges. Gah!!! I guess I should have primed the walls first, but I still would have been painting that room three times so that wouldn't have made much of a difference.

I spent a whole day cleaning and sorting through the rubble that had been left (we are instituting new and very strict 'clean your room' rules), and rearranged the remaining furniture. Found a nifty new rug (at Target online) that reminds us all of the Yellow Submarine animation and viola! A second bright and shiny new room!

I am incredibly glad that this round of painting is over, there were no injuries, only a few pulled muscles, no major paint spills and no footprints or pawprints tracking the splatter throughout the rest of the house.

But now I notice that the kitchen could use a bit of brightening up too.......

And PS. Read here for what happened when I repainted my old studio/new living room. And here is the room all finished.

Tuesday, November 10, 2009

Show Prep (and neverending orange walls)

Break On Through, 2009, Oil on Birch Panel, 9x9

I am currently working on paintings for a show in January at The Harrison Gallery in Williamstown, MA. This is my fourth solo show at this gallery and I am very grateful to have this exhibition opportunity again. Sales in general have picking up a bit, so that is encouraging too mostly because I am totally running out of storage space.

I have been making good progress in the studio despite constant interruptions and my current obsession with Facebook. Heh. But the plan is to get the landscapes finished by the end of November and then work on six portraits for the show during December. While my landscapes do quite well in this gallery, the director has agreed to include a few portraits this time. I should have been working on those earlier in the fall but for some reason I kept putting them off. I think maybe I just have to breeze in at the last minute and knock them out. Sometimes that works best. And I have decided not to stress if it doesn't. I will have plenty of landscapes ready for the show.

I probably should be painting in the studio today but instead I will be painting the walls in my daughter's room today, which has become a neverending project. Will explain all that in a future post, but just so you know, today it feels like I will be painting orange walls forever.

Monday, November 9, 2009

Food Shopping


So this is what can happen when an artist goes food shopping.

I saw this thing at my favorite organic booth at our local farmer's market and just had to have it. The guy said it was celeria and told us of a few ways to prepare it. However, I didn't really pay attention to what he was saying because I could not. stop. looking. at the celeria. So for two bucks I now have this thing to gaze upon. I might make a drawing or a painting of it, but actually I just want to enjoy looking at it; it is very textural, voluminous, earthy and kind of bizarre. I consider these to be very good attributes.

I guess I might end up cooking it or maybe I will buy another one next week so I can still have one to look at for awhile. I found some recipes and they look interesting.

Will keep y'all posted. Heh.

Thursday, October 29, 2009

Obituary for a Really Good Rooster



So in 2006, Doug and I decided to embrace the country life that we had been all prissy about for our previous three years here on the farm. He got bees, I got baby chicks. A surprisingly wide variety of accessories, tools and equipment was purchased. We 'remodeled' the old outhouse, built a chicken run and then received a chirping box in the mail with 27 egg layer chicks inside. Turns out that checking the chicken butts to determine which are the females is not entirely accurate and by the end of the summer we realized that we had two roosters in our flock.

After Number One Rooster in Charge (accidentally on purpose) met his untimely death, Rooster #2 stepped up to the plate and he was a very good rooster. First of all he did not attack me or the kids like the other one did, so that was good. And even though he was a little bit rough on the ladies, I always knew he genuinely cared for them. Heh. When we got several new chicks two years ago, he gave them a lot of special attention so they would feel at home, heheh. But I greatly enjoyed watching him keeping an eye on everyone while they all free ranged and he was fair but firm and he always let the ladies peck at the scratch before he did. He was also smart, over the years there have been a few times that the coop door closed before the chickens could get in for the night and he would come up to the house and make a ruckus to let us know that they needed help. It's true that chickens are not especially bright, but they are very intuitive and their instincts are a wonder to observe. More about my chickens and their antics here and here

Anyway. Every morning I go out to the coop to give them fresh water, check their food and then I throw a scoop of scratch through the wire fencing into the chicken run (they stay inside the coop until mid afternoon, so that their eggs will land in the nests rather than all over the yard). We have a routine with the scratch; when the chickens see the red scoop come out of the bin, they scatter, except for the rooster. He stands there and just takes it right on his back. Then he shakes his wings and fluffs up, rounding everyone up so they can scratch and peck.

This morning he wasn't out, which seemed odd and when I went inside the coop to gather eggs, I saw him laying dead on the floor underneath the roost. I was so shocked, as he seemed perfectly fine just yesterday! There were two hens on the roost and they were quiet and seemingly stunned. Well, I can't be totally sure of that, but they WERE very quiet. I asked them what happened (duh, rhetorical question) and then went to the garage to find a bag.

Now so far, I have been able to avoid actually handling the dead chickens that we have had over the years, but Doug is out of town and everyone else was at school. Bleh. But I manage to buck up; I picked up the rooster by his stiff legs (and yes, that was totally skeevy:)) and got him into a bag, aaarrggghhhhhh! It was awful. He was all cold and stiff so I guess he had been dead for most of the night.

I guess I will try to find another rooster. I liked having one with my flock and they are good to have around if the chickens free range. I have a few friends who raise chickens and will ask around, I guess.

Sure am going to miss my beautiful red rooster though.......

PS. and now I feel bad that I didn't take more pictures of him.

Friday, October 23, 2009

A Nothing of a Post

Right Through There, 2009, Oil on Birch Panel, 12x16

Sorry, folks, this is a real nothing of a post today. This last week was almost a complete wash in my studio. Yesterday, our oldest son, Kurtis, moved into a residential home on the campus of his school and my studio time was interrupted almost every day by meetings, packing, shopping etc. And during the few chunks of time that I did have to work, I found that I was too distracted to do anything that looked even remotely worthwhile.

So I have about five underpaintings sitting here, waiting for their color and I will try again first thing Monday morning. I am posting a larger version of a 6x6 painting that I did a few weeks ago. While I do often paint the same barns and scenes many times, I usually take some time between each version. However this time I found myself working the same images simultaneously. Not sure if I will do that again, or maybe I will do it all the time; it seemingly made no difference in the outcome (other than that both pieces are pretty similar in color), both paintings are fine, the small one sold right away on my other blog (thanks Bridgette!)and this one was shipped to The Harrison Gallery> last week.

Ok, well, looks like I managed to eke out two paragraphs about nothing much today. Huh. How about that!

Tuesday, October 20, 2009

A Peek Inside My Drawers

Heh. You didn't seriously think I could resist THAT title, did you???

Last week, Janelle asked me what I stored in my flat file and so I took some pictures of the inside of each drawer. It is awesome to have this for storage and I do believe I have put every square inch of it to good use!

First of all, the flat file has a huge top surface which is where I keep a jumble of photos for reference, paintbrushes, and other junk:

It looks like a mess, but the photographs are actually sorted into VERY IMPORTANT piles and I actually do use everything that is laying there almost everyday. At the back I have some tabletop easels which is where I set the smaller paintings to dry:

And on one side of the flat file is an added storage bonus, shelving! I could have used this for more junk, and was sorely tempted, however I decided to use it for some of my art books. Doug usually gives me a good art book or two for my birthday every year and I often buy a few when I visit a museum, so I have a good collection going. It's nice to keep my favorites in the studio:


Now on to the drawers. I have posted this image before:
I keep all of my paints in the top drawer (I used to keep them on the top surface, which I thought I preferred until I put them in the drawer and now I like them better there for some reason. Gives me more room for a jumble of junk, maybe.)

Drawer #2 contains a stack of watercolor paper and the initial portraits that I did almost two years ago when I was at the Vermont Studio Center. I like to keep them on hand to look at once in awhile as I continue working on the People You Know series.


Drawer #3 has another stack of watercolor paper, although this stack is mostly gessoed paper, ready to work on. It also contains some of the small format paintings that are available through my sales blog, as well as a few flower paintings that are well, just sitting there. Heh. Part of my painting inventory, I guess.


This is the drawer where I keep the bulk of the small format paintings for the sales blog:


And drawer #5 is where I keep all of the work on paper that I have done. You can see some the abstracts on top and under those are all the People You Know paintings that have been done on gessoed paper.



The next five drawers are used mostly for storage of other flat
things:


Figure drawing pads (used and unused) are in this drawer:


Drawing boards and primed oil paper pads (which I never use):


Pastel paper pads and other assorted papers, plus a few larger scaled abstract paintings on gessoed paper:


Gessobords, and pads of palette paper.


As I do more work on paper, I will probably relocate the pads of paper. I love the idea of filling every single drawer with my work on paper! And considering that I can't resolve how to display those works, they may just sit there forever.

Anyway, I dearly love my flat file, it is useful but more importantly, it was a wonderful gift from a gallery director in NYC who showed my work for a few years before the gallery closed (sob).

So feel free to show us what's in your drawers, k???